When I first started to take photos, I very quickly found out that choosing the right lens is crucial for capturing good photos. It’s also something my photographer dad has tried to tell me my whole life – “It’s not just the camera, it’s also the lens; it takes two to tango.”
Over the years, I’ve tried a variety of lenses – some that exceeded my expectations and others that fell short to say the least. In this article, I’ll try to share my insights and top picks for the best lenses for bird photography, helping you on your way to make a more informed decision before you spend your hard-earned money on this quite expensive equipment.
Quick Recommendations
After extensive research and testing, I think it’s fair to say that the Canon EF 100-400mm f/4.5-5.6L IS II USM offers the best value for most bird photographers – if you use a Canon camera of course, but more on that later. It will give you top-of-the-line image quality, a quite versatile zoom range, and reliable performance in a solidly built casing, making it an excellent all-around lens for capturing birds in various settings. It’s not the longest focal length, so it might not suit all of you, who really wants to get close to the birds.
For those of you on a tighter budget, you should consider the Tamron SP 150-600mm f/5-6.3 Di VC USD G2. It’s a reasonably priced lens and offers great performance and reach without breaking the bank, while also having top-notch build quality – something that is very often overlooked in budget lenses.
Finally, if your wallet barely fits in your pockets and you’re looking to invest in top-tier equipment, I would recommend checking out the Sony FE 600mm f/4 GM OSS. It’s a significant investment, but the exceptional image quality, lightning-fast autofocus, and superior build quality make it, in my opinion, the ultimate bird photography lens. Having f/4 all the way out at 600mm is quite a unique experience!
Why Trust Me
As a field biologist and passionate birdwatcher, I’ve combined my hobby and work for many years. My work in nature restoration often involves documenting bird species when out on field trips, which has given me a lot of hands-on experience with various lenses and camera equipment – when your hobby becomes your work, you really start paying attention to what matters and what works in a product, as you don’t want your equipment to become a burden for you.
Like many other photographers, I started with entry-level gear of my own but I’ve been fortunate enough to be raised by my dad who not only is a photographer, but also an amateur ornithologist. Through him and his friends I’ve been able to experiment with a wide range of lenses and speak to many experts in the field to understand what kind of equipment is really needed in bird photography.
This has taught me the importance of the right lens in capturing those fleeting moments – as bird photography more often than not is – and I’m eager to share my insights to help you make the best lens choice for your situation.
How I Chose and Tested
Selecting the optimal lens for bird photography has been a journey of trial and error for me. Over the years, I’ve spent countless hours in the field, experimenting with different lenses to see how they perform in real-world conditions (as I said earlier, I’ve been lucky to know many people with a lot of different equipment).
Because I use them for my work, I always try to optimize on my gear, and when it comes to camera lenses the combination of reach, image quality, autofocus speed, and portability are key.
Listed below are some of the parameters I’ve taken into account when researching for this article.
Focal Length
Probably the most important and apparent thing on the list is focal length. Birds are often small and/or far away, so a lens with a long focal length is a must-have. I focused on lenses ranging from 300 mm to 600 mm, which will allow you to fill the frame with your subject without getting too close and potentially scaring them off, or having to wade through too much tough terrain. A thing to note is that zoom lenses offer a lot of versatility by being able to more freely choose your frame, but prime lenses often provide sharper images with lower apertures.
Aperture
A wide maximum aperture (low f-number) is important for two main reasons: it allows more light into the lens for better performance in low-light conditions (like early mornings or late afternoons when birds are most active and you’re most likely to be out), and it helps create a shallow depth of field to isolate the subject from the background.
I focused on looking for lenses with apertures of f/4 to f/5.6 (also in zoom lenses) since they offer a good balance between performance and weight/cost. Generally, the lower the aperture of a lens the higher the price and weight, but also better performance.
Autofocus Performance
Fast and accurate autofocus is absolutely crucial in bird photography since birds always move unpredictably and quickly unless taking a rest, and you don’t want to spend your time fiddling with manual focus.
I focused (sorry for the pun) on lenses with good autofocus capabilities, especially in continuous tracking modes. Lenses with advanced autofocus motors (like Canon’s USM or Nikon’s SWM) usually perform better than more traditional systems.
Image Stabilization
Handholding a long lens can be challenging due to camera shake, which is greatly magnified at longer focal lengths – remember these systems kitted out can actually be extremely heavy. Lenses with effective active image stabilization systems can make a significant difference.
Some camera bodies also have image stabilization, so if you pair your lens with a good camera that has that, it will notably improve performance. Another thing to think about here is whether you should invest in a tripod/monopod or not. It offers great stability, but is another piece of gear you have to carry around.
Weight and Portability
Since I often find myself in remote locations, be it with work or for pleasure, the weight of the lens is an often overlooked but significant factor. Carrying heavy gear can be tiring and may limit how long you can stay out shooting. I therefore prioritized lenses that are relatively lightweight without sacrificing too much in terms of performance.
Lens Mount Compatibility
This is an important one. It’s crucial to choose a lens that fits your camera’s mount. Different manufacturers have proprietary mounting systems (like Canon EF, Nikon F, Sony E), and lenses are not universally compatible.
While there are adapters available that allow you to use lenses across different systems, they can sometimes affect autofocus performance and add extra bulk and mess with your focal length. I made sure to consider native lenses for some of the major camera brands to cover most of you guys.
Build Quality and Weather Sealing
Bird photography often takes place in, let’s just say, less-than-ideal weather conditions, especially during migrations seasons which usually takes place in autumn or spring. Lenses with robust build quality and weather sealing can protect against dust, moisture, and light rain. I assessed the durability of each lens by considering the materials used and any sealing features advertised by the manufacturer.
Here are my top picks for the best lenses for bird photography:
- Best Overall: Canon EF 100-400mm f/4.5-5.6L IS II USM
- Best Budget: Tamron SP 150-600mm f/5-6.3 Di VC USD G2
- Best for Nikon Users: Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR
- Best High-End: Sony FE 600mm f/4 GM OSS
- Best Compact: Olympus M.Zuiko Digital ED 300mm f/4 IS PRO
Be sure to check the Notable Mentions for three more lenses that didn’t quite make my top picks but are still worth checking out.
Best Overall: Canon EF 100-400mm f/4.5-5.6L IS II USM
- Lens mount: Canon EF
- Focal length: 100 to 400mm
- Max aperture: f/4.5 to 5.6
- Focus type: Autofocus
- Filter size: 77 mm
- Image stabilization: Yes
The EF 100-400mm f/4.5-5.6L IS II USM has been a trusted favorite by many of my peers for bird photography for several years. Its versatile zoom range allows you to quickly adjust the focal length as birds move, and the image quality is exceptional throughout the whole range. It also has a robust image stabilization system, which truly is a lifesaver when shooting handheld. The autofocus is also pretty fast and accurate.
Despite being part of Canon’s professional L-series, it’s relatively lightweight and easy to handle during long sessions. It’s not a cheap lens, though, and might not be for everyone, but as the saying goes, you get what you pay for!
What I like
- Outstanding image quality with sharp details.
- Versatile zoom range ideal for tracking moving subjects.
- Effective image stabilization for handheld shooting.
- Fast and reliable autofocus performance.
What I don’t like
- On the pricier side for hobbyists.
- 100-400 mm focal length might be too short for some people.
- Maximum aperture of f/4.5-5.6 can be a bit limiting in low-light situations.
Best Budget: Tamron SP 150-600mm f/5-6.3 Di VC USD G2
- Lens mount: Canon EF, Nikon F, Sony A
- Focal length: 150 to 600mm
- Max aperture: f/5 to 6.3
- Focus type: Autofocus
- Filter size: 95 mm
- Image stabilization: Yes
For photographers on a budget, the SP 150-600mm f/5-6.3 Di VC USD G2 offers incredible reach at an affordable price (600mm is a lot!). I am impressed by its surprisingly solid build quality and the sharpness it delivers, especially when you consider its low price.
I actually have multiple other Tamron lenses, and they’re all built in a way where you would think they would cost twice as much.
The 600mm focal length allows you to capture distant birds without disturbing them. It also has a very capable image stabilization system, something that is absolutely needed when trying to shoot with a 600mm lens, especially handheld.
On thing I’ve found is that the autofocus isn’t as snappy as some higher-end lenses, but still quite adequate for most situations.
What I like
- Exceptional reach with a 150-600mm zoom range.
- Good image quality for the price point.
- Capable image stabilization.
- Solid and durable build quality.
What I don’t like
- Autofocus can be slower in low-light conditions.
- Heavier than some other options, may require a monopod.
Best for Nikon Users: Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR
- Lens mount: Nikon F
- Focal length: 200 to 500mm
- Max aperture: f/5.6
- Focus type: Autofocus
- Filter size: 95 mm
- Image stabilization: Yes
For those using Nikon cameras (and that might be many), the AF-S NIKKOR 200-500mm f/5.6E ED VR is an amazing lens dedicated to wildlife and bird photography. Because Nikon made this lens for wildlife photography, it offers amazing image stabilization to keep your shots crisp. They’ve also managed to keep the f/5.6 throughout the whole zoom range, which is nice when shooting manual.
The lens is actually relatively affordable for its capabilities, but weirdly enough, Nikon hasn’t prioritized full weather sealing, despite marketing it for wildlife photographers.
What I like
- Constant f/5.6 aperture across the zoom range.
- Sharp and high-quality images.
- Effective image stabilization for steady shots.
- Reasonably priced for its performance.
What I don’t like
- Autofocus is good but not the fastest in its class.
- Lacks full weather sealing.
Best High-End: Sony FE 600mm f/4 GM OSS
- Lens mount: Sony E
- Focal length: 600 mm
- Max aperture: f/4
- Focus type: Autofocus
- Filter size: 40.5 mm
- Image stabilization: Yes
For those willing to invest in top-tier equipment, the Sony FE 600mm f/4 GM OSS is an absolute beast of a lens for bird photography. I’ve been lucky to have had the opportunity to try out this lens earlier in the fall, and the image quality is simply stunning. It’s always such a crazy experience using your own, what you think is high-end gear, and then trying some truly professional stuff.
The f/4 maximum aperture allows for excellent performance in low light and creates beautiful background blur. The autofocus is incredibly fast and accurate and surprisingly, the lens is actually relatively lightweight for its class due to its magnesium alloy and carbon fiber construction. It’s certainly not a cheap lens, it costs the same as a decent car, but it can last a lifetime and is the best you can get.
What I like
- Exceptional image quality with outstanding sharpness.
- Fast f/4 aperture for superior low-light performance.
- Lightning-fast and accurate autofocus.
- Relatively lightweight for a 600mm f/4 lens.
- Robust build with full weather sealing.
What I don’t like
- Extremely expensive, suited for professionals.
- Large size requires a sturdy tripod or monopod for extended use.
Best Compact: Olympus M.Zuiko Digital ED 300mm f/4 IS PRO
- Lens mount: Micro Four Thirds
- Focal length: 300 mm
- Max aperture: f/4
- Focus type: Autofocus
- Filter size: 77 mm
- Image stabilization: Yes
For Micro Four Thirds system users (like me), the Olympus M.Zuiko Digital ED 300mm f/4 IS PRO provides a 600 mm equivalent focal length in an extremely compact package. It’s my go-to lens for bird photography and is a perfect pair with my Lumix G9M2.
The image quality is outstanding, and the built-in image stabilization works in sync with your cameras system if it has any. The lens is also fully weather-sealed, which is helps me rest easy when the unpredictable Danish weather changes.
What I like
- Compact and lightweight for a 600mm equivalent lens.
- Excellent image quality with sharp details.
- Powerful image stabilization system.
- Weather-sealed construction for durability.
What I don’t like
- Fixed focal length limits versatility compared to zoom lenses.
- Smaller sensor size may impact low-light performance.
Notable Mentions
- Canon EF 400mm f/5.6L USM. A classic favorite among bird photographers for its sharp optics and relatively lightweight design. It gives you excellent image quality and fast autofocus, making it a reliable option for capturing birds in flight.
- Nikon AF-S NIKKOR 300mm f/4E PF ED VR. This lens stands out for its compact size and portability. It’s a great lens to look into if you really need some portability and you’re on the Nikon platform. It delivers sharp images and effective vibration reduction, ideal for photographers who are always on the move.
- Sony FE 200-600mm f/5.6-6.3 G OSS. A versatile zoom lens for Sony users, offering an impressive 200-600mm focal range. The long range gives you plenty of opportunity to vary your frame, and its autofocus and stability is also excellent.
Conclusions
Choosing the right lens is, like with cameras, a big decision and can significantly transform your bird photography. The perfect lens not only brings you closer to your subjects but also makes taking pictures more fun. Whether you’re a beginner looking to make your first investment or a seasoned photographer aiming to upgrade your gear, there’s a lens out there that suits your needs and budget – you just have to find it.
I hope this guide has helped you navigate the myriad of options available and brought you closer to finding the ideal lens for your bird photography adventures. Remember, while equipment is important, patience, practice, and a genuine passion for observing birds are equally important when photographing. If you’ve found a lens you think looks interesting on this list, I would advice you to look more into it and read more reviews on the internet, as well as seeking out people who owns it and asking what they think of it.
Feel free to share your experiences or ask any questions in the comments below. I’d love to hear about the lenses you’ve tried and the amazing bird photos you’ve captured. Happy shooting, and may your photographic journeys be filled with stunning avian moments!